Saturday, April 25, 2009

Thoughts on Being a Filipino American Artist

Every so often, I receive an interview request centering on my thoughts about my artwork, being a Filipino-American or both. Here are my answers to the latest interview request:

Tell me a little about yourself, most especially anything you feel would help in understanding you as a Filipino artist.

I was born in what was Clark Air Force base in the Philippines. My family immigrated to the United States when I was three months old. For all intents and purposes, I’m an American of Filipino ethnicity. My artwork generally depicts an internal, subconscious attempt to deal to with the aspects and circumstances of my life. I’m sure my Filipino identity plays a part in that psychological mix.

As a very successful Filipino, do you feel a responsibility to be a role model for younger acquaintances, friends, and relatives?

I’ve been pondering that question a lot lately. I’ve felt that responsibility in a broader, social/communal sense and expressed it by organizing different Filipino ethnic-themed events and scholarships, etc. However, I’ve ignored my responsibility as a personal role model to my friends and relatives. I ashamedly blame it on my own lack of self-esteem and an abundance of myopic selfishness. I’ve discovered that being a role model is not something you choose for yourself; it’s something that’s subtly and organically bestowed on you by others. You can be blissfully unaware of being a role mode, but it’s a natural byproduct of your life’s path. You do not exist in a vacuum. To ignore the effect you have on others could be damaging, if you don’t weigh the consequences of your words and actions.

After looking at all of your wonderful artwork, it seems that your work often represents an intersection between self-expression and Filipino culture. In this role, do you feel you are trying to promote a Filipino culture that is dying out via assimilation and apathy? Or do you feel that you’re giving direction and leadership to a Filipino culture that is very much thriving?

As an artist, I simply try to express my feelings, subconscious thoughts and state of mind. That being said, one should understand that culture is not a static exclusive entity; it is an always changing and thriving thing that greatly informs an artist’s output. Change is about transformation. Change will happen with or without you. You can comment on trends, or try to influence them; but you must accept the fact that the tides of culture will usually be stronger than an individual’s effort. I was involved with a community arts group that promoted the idea it was okay for the Filipino-American community to express themselves in any way or mode they see fit. Keeping traditional artistic expressions alive, while admirable and worthwhile, should not be the only way of keeping a vibrant culture. You keep the culture alive simply by being, simply by living.

What do you feel is the most central factor to Filipino culture (examples include: language, kinship, food, Catholicism, tradition, multiethnic heritage)? And how do you feel your art has fared in enriching the understanding of this central factor?

Out of the list that you’ve mentioned in the question, the most central factor, in my mind, would have to be the culture’s multiethnic heritage. From my limited studies, I came away with the impression that the Philippines was a political designation, not necessarily one of common experience and identity. In a strange way, I’m an extension of that heritage. What is more multiethnic than being an American these days?


Do you consider yourself Filipino? Or American? Or some combination thereof?

I am an American who had to discover if his Filipino heritage had any bearings outside of his familial ties, and then decide how that played into his everyday life.

In consideration of how you identify yourself, have you ever been criticized for being “too Filipino” or “too American”? What was that experience like? Additionally, have you ever been called the derogatory terms attached to these extremes? Such as 'FOB' or ‘white-washed’?

Fortunately, I grew up with others who more or less lived the under the same circumstances I did, so there was never any aspersions of those types cast. If there were any ethnic tensions, they were never about how ‘Filipino’ someone was or wasn’t. The social tensions came from living in two different worlds: the working class neighborhoods I lived in vs. the middle class high school I attended.

What is your relationship with your parents like? Do you think their exists a generational gap between you and them?

Of course, there's a generational gap between my parents and I. They’re not my peers; they’re my parents. We see things very differently from one another and both sides make decisions the other doesn’t generally agree with. That being said, my wife and I make it a point to visit my parents at least once a month. We’re now at the stage in our relationship where I think they depend on me, more than I them. If there’s anything they need help with, they know they can rely on me.

Do your parents put pressure on you in any way (examples include: pressuring you to practice Catholicism, pressuring you to speak Tagalog or another dialect)? What of these pressures do you choose to follow or reject? How much influence does your parent’s desires carry in how you live your life?

My parents were all about pressures and expectations. I’ve spent my life trying to meet their desires on my own terms. For example, I persuaded my parents to let me enroll at a high school that had an accelerated academic curriculum, although the school’s real draw for me was its performing arts program. I graduated from college with a double degree majoring in sociology and art; choosing Sociology for my parents and Art for myself. My parents wanted me to marry a Filipina in a Catholic Church ceremony. I married a Vietnamese woman in a non-denominational ceremony in a Unitarian church. I find it funny, however, that as much I’ve struggled to live my own life, I’ve ended up in a marriage that mimics the dynamics of my parents’ own relationship. I see my parents in me more than ever; however I’m learning how to accept that fact and not fight it with the same fervor I did in my younger years.

What languages do you speak? If you are multilingual, which do you prefer speaking and why?

Just English. My parents were discouraged by school officials from teaching Tagalog or Pangasinan, citing fears of confusing me. This was a common school of thought back in the seventies.

In what other ways do you learn more about Filipino culture (examples include: literature, dance, etc)?

Mainly from family and the news. I did learn more actively about the culture when I was involved with planning community events.

Do you keep in contact with any relatives in the Philippines?

Most of my relatives have immigrated over the United States.

Do you try to stay aware of the political situation in the Philippines? If so, through what means?

As I’ve stated before, my political and social outlook is primarily American. I will be more interested in news coming out of the Philippines, than say Bosnia, but I don’t have a heavily invested interest in my homeland. My parents will tell me stories of their recent visits to the Philippines, which focuses more small town local politics and society, but that’s about it.

Lastly, please tell me something about yourself that you feel relevant and that has not been addressed above.

What I've come to realize is that, in the end, all that really matters in this life is finding happiness in what you do and in the people you love. Everything else doesn't matter quite as much.

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Wednesday, April 15, 2009

Corporate Life - a blog love story in comic strip form


















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Friday, April 10, 2009

BabyTalk Comic Story





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Tuesday, August 12, 2008

song


The choices you make,
The risks that you take
can overwhelm you . . .
So girl be careful.

You never cared.
You held your stare.
You stood your ground.
Still . . . girl be careful.

But you held to your own reasons.
And you changed with your own seasons.

Please, let mercy just smile on your face.
Let her envelop your soul with her warm embrace.

The years linger on but I swear
everything still feels the same.

Nothing has changed.
Nothing will change.

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Monday, June 11, 2007

more quick random thoughts

I can't sleep. It's 11 pm and I need to sleep. But I can't sleep.

Here are some pics of my current pastels. Nothing too deep. Just something to excerise (however lightly) the artistic eye. Think 'pop song' as art piece.





Quick thoughts . . .


  • Sopranos Finale - If you were pissed off by the ending, all I have to say is "what in the hell did you expect?" when has this show EVER given viewers what they wanted or expected? this show is all about unsympthetic blind curveballs that were cleverly foreshadowed seasons before. now i'm not passing judgement on whether it was a decent or effective closing. I'm not even saying it was a good episode. all i'm saying is that if you were expecting a pat ending, then it's obvious you f##ks haven't really been watching the show.

  • Spider-Man 3 - what's up with that "a husband must put his wife's needs ahead of his own" storyline crap? Was Oprah one of the movie's screenwriters? Am watching a big, dumb popcorn summer flick or a lifetime movie of the week? It's a good thing wifey didn't watch this flick, otherwise she'd pull that "wife's need" card out whenever she wants me to do something i REALLY do not want to do. "Well Spider-Man would have taken out the trash, cuz he would put Mary Jane's needs ahead of his!" Thanks a lot for the relationship advice Spidey! Oh, and now I know, if I every want to be "Bad Kilatzin", all I really need to do is comb down whatever bangs I have left on my balding head and wear some nice black kenneth cole suit. Thanks for the "Evil Primer 101", Spidey!!! Keep that good advice coming.

  • paris hilton in jail - good.


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Sunday, February 11, 2007

Why art?

I occassionally get these emails from art students having to do an assignment that involves an interview with an active, living artist. My best guess is that they probably catch my website (www.kilatzin.com) from a Google search. I hate to disappoint them; if anything, I go out of my way to make my art an avocation rather than a vocation.

I've had to learn some harsh lessons about how money and business can change or corrupt the thing you love. I do my best, given the current constraints of my lifestyle . . . well, at least I did until the thing with my sister. Now I'm more or less focused on caring for the family. But when baby gets older I will get back to art. Until then, here's a recent list of questions a student sent me, with my corresponding answers.




1. Why are you an artist?

I’m an artist because:
  • I have a talent for it

  • I get a kick out of doing it

  • It's hard to see myself doing anything else

  • I'm weird

The strange thing is that I don't consider myself too artsy-fartsy. I don't have many friends who are into the arts of any kind. I've tried to get into different artist circles/groups, but have always found it a little disappointing/unsatisfying. I'm too "normal" for the artsy-fartsy, avant-garde crowd, but too "artsy-fartsy" for the normal, arts & crafts crowd. It's something I'm still trying to get my head around. I'll probably make another attempt to integrate with some hopefully, like-minded individuals. I need to find some sort of support group out there. We'll see.




2. Could you tell me some more about your paintings?

Icnonographic, expressionist (verging on the garish) color studies. The older I get, the less garish I paint.




3. Where do you see painting today?

Painting is whatever the hell you want it be: big business or personal odyssey. For most people, it is a background art form that subtly influences movies, television, graphic design and music.




4. Do you think that the fine artist will survive as technology replaces our skills?

The fine artist will adapt and use whatever technology is at his/her reach. While the use of older technologies may diminish as new ones are developed, they never completely go away. The philosophies and purposes behind those technologies will change. Part of the fun, for some artists, is exploring how it’ll change. There are artists that are still expressing themselves through woodcuts that are as vibrant as anything else you’d find out there. Formats and tools will always be in flux. Creativity is forever.

For example, I prefer to work in oils, but have adapted to use computers (photoshop in particular) for creating preliminary sketches or compositions. Also, any artist who is not taking advantage of the Internet's promotional opportunities is at doing him/herself a grave disservice.

Look at it another way. The automobile hasn’t obliterated horseback riding. Photography hasn’t obliterated fine painting. Artists have had to respond to the challenge that photography posed: “now that there’s a better way to capturing visual reality, what’s the purpose of painting?”




5. Which artists have influenced you, and how?

The artists that get to me every time are Matisse and Chagall. At their best, both are marked by their deceptively simple uses of primary colors. I would compare them to blues musicians or haiku poets who work in very constrictive set of rules and somehow manage to pull off something brilliant. I'd like to get there someday.


As far as more modern artists are concerned: I have a liking for Gilbert & George, Clemente and David LaChapelle.




6. What other interests do have (besides painting)?

I start off as a somewhat normal American male. Watch football, basketball and love grilling steak on the barbeque. Then, after a couple of blocks, I venture "hard right" into geekdom with a predilection for Superman, bacon and Stephen Sondheim. I used to sing, perform and write songs, but lost my taste for it long ago. I try to keep up with pop culture and non-fiction books, but family life precedes everything. And I do mean everything.




7. What inspires you to paint and how do you keep motivated when things get tough in the studio?

There are always going to be rough patches. You need this blind faith or confidence in your abilities to know that even your failures will be interesting and instructive. Every experience will help you out in the long run. Not only that, the failures will provide depth and context to your body of work. Every musician, every actor, every director, every athlete has faced failure. Why should it be any different for you?




8. How have you handled the business side of being an artist?

I’ve made a conscious decision to not immerse myself in the business side. I paint for the "kick". When money comes into the picture, then matters muddy quite a bit. Money brings you legitimacy, but it also binds you into certain expectations. If you don't meet those expectations, then there will be hell to pay. I've had good and bad experiences, enough to give myself the luxury to seek out projects that provide a creative "spark" and rule out ones that don't. I also know that to be truly successful, you've got to have someone schlep your wares to the nth degree. Most of the time, that role falls on you. I know it's part of the game, but I have a little distaste for it. That being said, I have no qualms about selling myself out like a cheap two-dollar whore when it comes time to accumulate the several hundreds of dollars I need to attend the San Diego comic con. Daddy needs that $4000 life-sized Superman statue.




9. Where do you see yourself in 10 years?

In 10 years, I hope to still be a happily married family man. Everything else is in flux.





10. Could you talk about your latest series of paintings and what you aretrying to achieve with them?

I've been doing commissions for people the last couple of years. No time for anything else really. I do have some sketches I'd like to develop into actual paintings. They revolve around my feelings towards my sister and brother. I want to convey some sense of my relationship with them, without actually calling out anything specific. My style has also been more subtle, more iconic, more abstract, more subdued. Let's see how that plays out.





11. As an artist, how do you contribute in the society?

Hell, I don't know. I'm just trying to do what I do. If someone likes it, cool. If someone doesn't, oh well. But it's taking all my energy maintaining a normal suburban lifestyle and adding my art on top of it. I don't have the luxury to think about something like that.






12. How hard/easy it is to organize an exhibit event?

Organizing an event is a damned hard thing to do. If everything works out alright, then it's the most satisfying feeling in the world. If it's a failure, then you feel like a heel. Just know that it'll take a lot of time, smarts, help, luck and elbow grease to organize ANY event . . . whether it's a party, a wedding, a play or an exhibit.





13. Should arts be used as a tool to address social and political issue?

Sure. Why not? But don't assume that you addressing something is a guarantee that someone will listen. It's not, but at the very least, you've put it out there.




13. And my last question is what advice would you give to an artist just starting out?

This advice actually applies to everything in life: Anyone who starts any career in the arts must ask themselves if they can picture doing anything else. Do you have the desire to continue when things don’t necessarily work out as planned? Just make sure this is something you really want to do. You can make a very comfortable living for yourself doing something else. Don’t do it for the money. Do it because you NEED to do it. You should also ask yourself how far you want to take this. What are you willing to sacrifice for it: a nice car, a stable family environment, etc? You can have it all, but it’s a tough balancing act.

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Sunday, January 15, 2006

i'm tired but productive and boring

i should be asleep. i get to drive the baby to two different medical appointments tomorrow. driving down to sd in the morning and 9 month shots in the afternoon. yum! yum! however, i've spent two precious hours tonight on 'me' time. this night's project is making some progress on a large-scale update of my art website: adding new photos and comics, rethinking some designs, debating whether i should add some closeup details of art, wondering if i should continue to use popups, figuring out the best way to include / link to this blog on my site . . . things like that. this update realistically won't see the light of day until 3 or 4 months from now. hopefully, i'll have some time tomorrow to work on a blog strip i want to include for the update and some photoshop color comps for the next door neighbor's painting commission.

i've slowly been warning wifey about the time commitment involved with the play i'll be working on next month. i've told the director that i probably won't be able to come down to san diego often, but he seems fine with email contact and ftp file uploads. i have the well founded fear that i've bitten off more than I can chew, but this could be a real cool thing if everything goes right. the last time i was involved with set design was back in 2000; i'm eager to get back into it. imagine my wild and crazy color sensiblities exploding everywhere on a stage . . . that's the basic challenge laid to me . . . how to be crazy enough to add that special 'spice' to a play, but not so crazy as to distract from it. the elton john show in vegas is guilty of this. the rear projection videos that accompany elton have a tendency to take the attention away from his wonderful music.

i've spent a majority of work time last week helping formulate my company's policy towards blogging and podcasting. i was warning that doing a daily blog can be a damned daily grind and that the main denizens of the blogosphere are yahoos like myself and you good people, who use it as a more personalized 'bulletin board' of sorts. we are pursuing the podcast angle though, setting up a series of audio interviews in early may, another example of potentially biting off more than i can chew.

now that i've bored everyone endlessly with my stupid thoughts, i can now sleep in peace.

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Tuesday, January 10, 2006

Year 2005 End Wrap Up


I'm currently taking a ten minute break from endless lead entering for a particularly successful online promotion. Now is the perfect time for a random blog entry.

Seems a great majority of the current blog conversation revolves around ameditation concerning the pros & cons, the flows & ebbs of the previous year. Since I've always considered myself crafty enough to surf a wave coming my way, and not drown in it, I'll bite and drop in my own personal assessment.

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Okay, just got back from dealing with a minor work emergency. Now seems to be the perfect time for a random blog entry.

Okay. Personal assessment time.

BIG CHANGES this year. No real surprise to any of the blog regulars, I suppose. The cliches that accompany the arrival of a new baby are true; that's why they're labeled "cliches." However, here's one VERY unexpected consequence . . . my art is much less "angry" now. There's less of the angst and disturbance that marked my earlier output. I wouldn't call it necessarily more peaceful. There's definitely still a semblance of the dark and ambivalent undercurrent that permeates my work. I wouldn't even say that my general anger towards everything has lessened. But the quality that some would label as "disturbing" or "confrontational" has definitely toned down.

Part of it certainly stems from the fact that a baby drains most of the anger out of you. It takes an incredible amount of energy to sustain a strong "mad-on" towards a particular target. It's much harder to drum up that energy when you consider a 5 hour block of uninterrupted sleep a "luxury." Even if I'm not particularly sleepy, my brainpower is definitely at a low ebb these days. The most I can handle these days is an episode of "Survivor" or a quick play of "NBA 2K5" on my Xbox. (As a sidenote, I told a coworker about my current schedule and he remarked to me, 'if what you're saying is true . . . that means you spend at least 18- 20 hours a day awake.')

Another part seems to be the fact that I'm a greedy whore who is looking to start selling some work to pay for my comic book and Howard Stern obsessions. Nothing stung me as much last year as my inability to go to the San Diego Comicon. A close second of disappointment would have to be NOT getting a SIRIUS satellite radio for Stern. I can listen in my car, but would have trouble accessing the satellite signal from work. Still, I'm amazed by how quickly I will sell out my artistic sensibility to buy something like the hardcover "JLA/Avengers" compendium.

A third thing is that if I must be honest with myself, then I do feel a need to be "shown" more. Fact of the matter is that most people consider the art of painting as a form of interior decorating. Only a few would really have my paint splattered battles of the id, ego and superego covering their walls. That doesn't mean I'll paint cute little puppies frolicking in the flowers, but for a hefty amount of change, I'll definitely consider it. Especially now that the Xbox 360 is out. If I have to produce work that is less "me" than usual, so be it. This year is just beginning, but I'm closing a sale on one painting, verbally agreed to a second commission and should be working as a set designer for a play to be performed in April. It's still a little early and these deals just very well may blow up in my face, but hey, there's nothing new about that.

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Where was I? Oh, yeah, I'm going to sleep!!!!

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